1. 14:20 16th Apr 2014

    Notes: 8

    Reblogged from fyloveandrockets

    ezerdarab:

    Citizen Rex

     
  2. 12:32

    Notes: 9

    Reblogged from melissa

    But the work of producing a real performance is easy for Kink to obscure, especially within the physically dominating structure of the castle. Every Upper Floor video starts with a shot of the armory, dramatically lit, flags on its top waving, then fades to an image of the Kink logo. The leather, iron, and brick aesthetics may signal erotic torment, but there’s homey consistency to the Upper Floor shows, with regularly scheduled brunches and orgies. A rotating yet recurring cast of characters appear each time and on the same sets, like the “house slaves” in the Kink uniform of black stockings with a contrasting red weft, held up by black garters. A viewer can imagine she is looking in not on a porn set but on some ongoing, unfolding sexual moment.
    — For the Love of Kink, new by me for Dissent (via melissa)
     
  3. 12:19

    Notes: 7242

    Reblogged from fuckyeahbookarts

    theduplicitytimes:

6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

    theduplicitytimes:

    6 WRITING TIPS FROM JOHN STEINBECK

    1. Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
    2. Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
    3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
    4. If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
    5. Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
    6. If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.

    "If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."

     
  4. 11:49

    Notes: 13426

    Reblogged from thelannisterbastard

    ceruleancynic:

    hellyeacreepyshit:

    The following list is of traditional fallen angel names gathered from different religions, mythologies and lore. These angel names are of those angels considered to be of a bad nature.

    Abaddon - fallen angel of death whose name means “to destroy.”

     
  5. 10:45

    Notes: 13

    Reblogged from antlol666

    image: Download

    antlol666:

http://g.e-hentai.org/s/e82fa245f9/631032-2
     
  6. 10:01

    Notes: 12811

    Reblogged from architectureofdoom

    image: Download

    malformalady:

A Chinese businessman hid two illegally built extra storeys on his penthouse suite with trees and plants. The penthouse already had a roofgarden, but it was increased in size to deceive neighbours and officials.

    malformalady:

    A Chinese businessman hid two illegally built extra storeys on his penthouse suite with trees and plants. The penthouse already had a roofgarden, but it was increased in size to deceive neighbours and officials.

     
  7. 09:34

    Notes: 75

    Reblogged from collaterlysisters

    image: Download

    (Source: grassfire)

     
  8. 08:56

    Notes: 75

    Reblogged from cornerof5thandvermouth

    image: Download

    (Source: grassfire)

     
  9. 19:51 15th Apr 2014

    Notes: 19470

    Reblogged from cyborgmemoirs

    (Source: oscob)

     
  10. 19:51

    Notes: 1234

    Reblogged from cyborgmemoirs

    image: Download

    wobblytumbold:

"RanXerox"Tanino Liberatore

    wobblytumbold:

    "RanXerox"
    Tanino Liberatore

    (Source: loscazzo)

     
  11. 09:58

    Notes: 725

    Reblogged from kenmat

     
  12. 09:55

    Notes: 338

    Reblogged from hankeatspaint

    image: Download

    weekendpartyupdate:

Sam McKinniss, the quick and the dead, 2014, oil/canvas, 24 x 30 inches. 

    weekendpartyupdate:

    Sam McKinniss, the quick and the dead, 2014, oil/canvas, 24 x 30 inches. 

     
  13. 23:53 14th Apr 2014

    Notes: 5827

    Reblogged from turtacular

    likeafieldmouse:

    Nobuo Sekine - Phases of Nothingness (1969-2014)

     
  14. 17:29

    Notes: 870

    Reblogged from hankeatspaint

    image: Download

    casabet64:

David Ligare painting

    casabet64:

    David Ligare painting

     
  15. 17:15

    Notes: 153

    Reblogged from hankeatspaint

    image: Download

    
euan uglow

    euan uglow

    (Source: cactuslands)